Cathy Madden
Group Teaching and Learning Through the Eyes of Beginners
In my group classes at the University of Washington, I have the beginning students write journals about their learning process with the Alexander Technique. For teachers whose primary experience has been learning in private lessons, the group teaching process can be difficult to understand. By using the journals of these beginners (with their permission), I invite all of us to rediscover the Alexander Technique through these beginners.
I will present their words in a variety of formats, and punctuate the presentation with practical examples of what we did in class, including one version of the first 10 minutes of an introductory class. Participants in the workshop will do some of the same activities that the beginners describe in their journal.
At the Heart of Performance: Integrating the Alexander Technique at the Center of Performance Training
This is a 3 part presentation:
Part One—An overview of how I integrate the Alexander Technique in a performers’ process. This will include information from the University of Washington Professional Actor Training Program, and my private work with theatre, music and dance professionals. (I envision this overview taking about half an hour and it will include exercises that the participants can do.)
Part Two—I will recruit performers that I work with to help me demonstrate this process as it can work over an extended period of time. I will also recruit performers who are new to me to participate and demonstrate how I begin this process.
Part Three—I will lead the whole group through several performance-oriented exercises guiding them in using the Alexander Technique so that they can gain a practical understanding of how this work enables the performer.
I will also recruit performers from people attending.
Cathy Madden began studying the Alexander Technique with Marjorie Barstow in 1975 while she was a graduate student in theatre at Washington University in St. Louis. She moved to Lincoln, Nebraska to continue her studies with Marjorie Barstow and began teaching the Alexander Technique in 1980. After nearly 8 years in Lincoln, Cathy moved to Seattle where she was a founding member of The Performance School, and began teaching for the University of Washington’s Professional Actor Training Program. Cathy assisted Marjorie Barstow for many years in Lincoln and internationally. Cathy travels regularly to training schools and does workshops in Australia, England, Germany, Japan, and Switzerland, She is Associate Director for ATA in Japan. In Seattle, she is Senior Lecturer for the University of Washington’s School of Drama, and Director of the Alexander Technique Training and Performance Studio.
She is also active as a Theatre Director for the University of Washington.
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